From The Weeknd’s Common deal to Spotify’s Q1 outcomes: It’s MBW’s Weekly Spherical-Up

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Welcome to Music Enterprise Worldwide’s weekly round-up – the place we make sure that you caught the 5 largest tales to hit our headlines over the previous seven days. MBW’s round-up is supported by Centtrip, which helps over 500 of the world’s best-selling artists maximise their revenue and cut back their touring prices.


This week, Spotify revealed that it grew its world subscriber base by 2 million quarter-on-quarter, to 182 million in Q1 2022.

That’s up from the 180 million subscribers the corporate counted on the shut of 2021.

SPOT achieved this internet subscriber progress regardless of its previously-announced lack of 1.5 million subscribers in Russia in Q1.

Spotify’s world Month-to-month Lively Customers (MAUs) hit 422 million on the shut of the quarter, up by 16 million quarter-on-quarter.

Taking a look at Spotify’s monetary efficiency in Q1 2022, the agency posted income of €2.661 billion ($2.98bn), up 19% year-on-year on a relentless forex foundation.

Additionally this week, Common Music Group (UMG) struck an expansive and long-term partnership with The Weeknd.

As a part of the settlement, Common Music Publishing Group will administer The Weeknd’s songwriting catalog and all his future works. The deal additionally builds on the connection between The Weeknd and UMG’s Republic Information, which has been his label accomplice since 2012.

Elsewhere, SoundCloud revealed a sequence of up to date stats about its Fan-Powered Royalties (FPR) system this week.

These stats embrace the truth that 135,000 impartial artists at the moment are getting paid by way of FPR, which marks a 30% progress within the quantity of artists who’ve signed as much as monetize their music through FPR on the platform because it launched in early 2021.

SoundCloud additionally claims that, on common, impartial artists at the moment are incomes 60% extra by way of Fan-Powered Royalties than they’d have been had they caught with the normal pro-rata mannequin.

Plus, Tencent Music Leisure launched a brand new distribution service, whereas BMG acquired a 50% stake within the tune pursuits of Bobby Gillespie, Andrew Innes and the late Robert Younger of Primal Scream.

Right here’s what occurred this week…


1) NO NETFLIX PROBLEMS HERE: SPOTIFY ADDED 2M NET SUBSCRIBERS IN Q1 – DESPITE CUTTING OFF 1.5 MILLION SUBS IN RUSSIA

Following Netflix‘s shaky Q1 2022 outcomes, all eyes have been on Spotify immediately (April 27) for its equal fiscal announcement… and maybe its largest check but in entrance of traders as a public firm.

Nicely, Daniel Ek‘s firm surpassed expectations in varied metrics within the three months to finish of March – most notably by way of each subscribers and Month-to-month Lively Customers (MAUs).

The large information: International subscribers of Spotify grew by 2 million quarter-on-quarter in Q1 2022, growing to 182 million subscribers globally. That’s up from the 180 million subscribers the corporate counted on the shut of 2021…


2) THE WEEKND SIGNS PUBLISHING PACT WITH UNIVERSAL – AND HE’S THROWN NEW RECORDINGS AND MERCH INTO THE PACKAGE TOO

Common Music Group (UMG) has struck what it calls an expansive, long-term partnership with famous person artist, The Weeknd.

UMG says that as a part of the settlement, Common Music Publishing Group (UMPG) will administer The Weeknd’s songwriting catalog and all his future works, “in a brand new long-term deal, upon expiration of his current dedication”.

For a few years, The Weeknd’s publishing rights have been administered by Kobalt, however that deal now appears to be like set for expiry at an unspecified date sooner or later.

The wide-ranging deal introduced yesterday (April 28) additionally builds on the connection between The Weeknd (Abel Tesfaye), and UMG’s Republic Information, which has been his label accomplice since 2012 and which, UMG says, will stay his label accomplice for future recorded music releases…


3) 135,000 ARTISTS ARE NOW GETTING PAID THROUGH SOUNDCLOUD’S FAN-POWERED ROYALTIES PLATFORM

In April 2021, SoundCloud launched its industry-first ‘Fan-Powered Royalties’ platform – its personal branding of the user-centric streaming cost mannequin.

This methodology of monetization sees royalties from every particular person subscriber’s month-to-month cost distributed solely amongst the artists they take heed to.

That’s against the extra typical ‘huge pot’ or ‘professional rata’ streaming royalties mannequin – adopted by the likes of Spotify – which sees all royalty income paid/generated by customers centrally pooled by a service, earlier than being shared on the premise of artist market share throughout a complete platform.

It’s now a 12 months on from SoundCloud’s Fan-Powered Royalties have been made accessible to impartial artists who add/monetize their music direct through SoundCloud. This week (April 26), SoundCloud revealed a sequence of up to date stats about its payout system’s progress…


4) AFTER TIKTOK AND SOUNDCLOUD, TENCENT MUSIC IS A DISTRIBUTOR NOW TOO

There’s been a rising development over the previous couple of years of music streaming providers changing into agnostic music distributors.

This arguably began with SoundCloud in 2019, when it launched a distribution characteristic that enabled artists to distribute their music to a variety of rival streaming providers. The next 12 months, it launched a advertising and distribution platform for “critical artists who need to take their profession to the following stage”.

And simply final month, ByteDance-owned viral video app TikTok launched its personal promotion and music distribution platform, referred to as SoundOn.

Now, Tencent Music Leisure, the proprietor of China’s largest music streaming providers, has turn out to be one of many {industry}’s latest world music distributors…


5) BMG ACQUIRES PRIMAL SCREAM SONG RIGHTS

BMG has acquired a 50% stake within the tune pursuits of Bobby Gillespie, Andrew Innes and the late Robert Younger of legendary Scottish rock band Primal Scream, along with their neighbouring rights.

It contains the writers’ shares in songs together with Movin’ On Up, Loaded, Rocks and Come Collectively and covers all of their 11 albums from Sonic Flower Groove (1987) by way of to Chaosmosis (2016).

The deal follows BMG’s current acquisition of rights from artists together with Mick Fleetwood, Tina Turner, ZZ Prime and Mötley Crüe…


MBW’s Weekly Spherical-Up is supported by Centtrip, which helps over 500 of the world’s best-selling artists maximise their revenue and cut back their touring prices.Music Enterprise Worldwide

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